NTOZAKE SHANGE

Biography

Ntozake Shange was born Paulette Williams into an upper middle-class African American family. Her father was an Air Force surgeon and her mother a psychiatric social worker. Cultural icons such as Dizzy Gillepsie, Miles Davis, and W.E.B. DuBois were regular guests in the Williams home. Shange attended Barnard College and the University of Southern California, earning both a BA and MA in American Studies. Shange’s college years were difficult, however; frustrated and hurt after separating from her first husband, she attempted suicide several times before focusing her rage against the limitations society imposes on Black women. While earning an MA degree, she reaffirmed her personal strength based on a self-determined identity and took her African name, which means “she who comes with her own things” and she “who walks like a lion.” Shange would go on to a successful triple career as an educator, performer/director, and writer whose work drew heavily on her experiences of being a Black female in America.

Shange was perhaps most famous for her play for colored girls who have considered suicide/when the rainbow is enuf (1975). A unique blend of poetry, music, dance and drama called a “choreopoem,” it “took the theatre world by storm,” noted Jacqueline Trescott in the Washington Post. Shange’s next productions–A Photograph: A Study of Cruelty (1977); Boogie Woogie Landscapes (1977); Spell No. 7 (1979), which also received an Obie Award; and Black and White Two Dimensional Planes (1979)–impressed critics with their poetic quality. (Full Bio

Plays

FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE/WHEN THE RAINBOW IS ENUF (1974) 

Capturing the brutal, tender and dramatic lives of contemporary Black women, for colored girls... offers a transformative, riveting evening of provocative dance, music and poetry. This groundbreaking "choreopoem" is a spellbinding collection of vivid prose and free verse narratives about and performed by Black women. (Source)

Cast Requirement: 7 (7f)

Characters: lady in brown, lady in yellow, lady in red, lady in green, lady in blue, lady in orange, lady in purple

Publication: for colored girls who have considered suicide/when the rainbow is enuf: a choreopoem. Scribner, 2010. (Link)

+ MORE INFO

for colored girls who have considered suicide/when the rainbow is enuf was produced by The Public Theater in New York City in 1976. This production was directed by Oz Scott; choreographed by Paula Moss; the set design was by Ming Cho Lee; the costume design was by Judy Dearing; and lighting design by Jennifer Tipton; the production stage managers were John Beven and Fai Walker-Davis. The cast for this production included:

  • Lady in Red - Trazana Beverly
  • Lady in Blue - Laurie Carlos
  • Lady in Purple - Risë Collins
  • Lady in Yellow - Aku Kadogo
  • Lady in Brown - Janet League
  • Lady in Green - Paula Moss
  • Lady in Orange - Ntozake Shange

This production transferred to Broadway at the Booth Theatre in 1976.

 

A PHOTOGRAPH: LOVERS IN MOTION (1977) 

The play is about a young Black man who is trying to make it as a professional photographer and is surrounded by caricatures of Black people gone wrong. The exception is a girl friend who is a free and sovereign spirit. The young man's confidence is shattered when he is turned down for the grant he has counted on. (Source

Cast Requirement: 5+ (2f, 3m) 

Characters: Sean David, Michael, Nevada, Claire, Earl

Publication: Three Pieces. St. Martin’s Press, 1981. (Link)

+ MORE INFO

A Photograph was presented by The Public Theater in 1977 in New York City under the title: A Photograph: A Still Life With Shadows/ A Photograph: A Study in Cruelty. The director for this production was Oz Scott; the choreographer was Marsha Blanc; the composer was David Murray; the costume design was by Beverly Parks; the lighting design was by Victor En Yu Tan; the set design was by David Mitchell; the visual design was by Collis Davis and David Mitchell. The cast for this production included:

  • Sean David - Avery Brooks
  • Nevada - Petronia Paley
  • Michael - Michele Shay
  • Early - Count Stovall
  • Claire - Hattie Winston
  • Dancer - Charliese Drakeford
 

BOOGIE WOOGIE LANDSCAPES (1977)

A choreopoem about one night of dreams and memories from a young, African American woman. A collage of dreamlike memories and poetic editorials, Boogie Woogie Landscapes is a funny, moving, and surprising piece of theater from one of America’s most incisive poets/playwrights. (Source)

Cast Requirement: 7 (4f, 3m)

Characters: layla, nightlife companion #1, nightlife companion #2, nightlife companion #3, nightlife companion #4, nightlife companion #5, nightlife companion #6

Publication: Three Pieces. St. Martin’s Press, 1981. (Link)

 

BLACK AND WHITE TWO DIMENSIONAL PLANES (1979)

A solo show using spoken word poetry. The play tells the story of a fourteen year old girl as she discovers the world in its splendid and terrifying color. 

Cast Requirement: 1 (1f)

Characters: Speaker

Publication: Black and White Two Dimensional Planes. Alexander Street Press, 2005. (Link)*

 

SPELL #7 (1979)

This striking choreopoem is set in a bar frequented by Black artists and musicians. A meditation on the irony of being Black in a white world, Spell #7 presents artists baring their souls in confessional soliloquies, many of which are illustrated through dance. The play is a sometimes desperate, often unsettling, yet deeply joyous celebration of the fight to maintain sanity and personal integrity in a world where the rules have been dictated rather than chosen. (Source)

Cast Requirement: 9 (5f, 4m)

Characters: lou, alec, dahlia, eli, bettina, lily, natalie, ross, maxine

Publication: Three Pieces. St. Martin’s Press, 1981. (Link)

+ MORE INFO

Spell #7 was first produced by The Public Theater in New York City in 1979. The production was directed by Oz Scott; music was by Butch Morris and David Murray; choreography was by Dianne McIntyre; set design was by Robert Yodice; costume design was by Grace Williams; lighting design was by Victor En Yu Tan; the production stage manager was Jacqueline Yancey. The cast for this production included

  • Player #1 - Larry Marshall
  • Player #2 - Avery Brooks
  • Player #3 - Ellis Williams
  • Player #4 - Dyane Harvey
  • Player #5 - Laurie Carlos
  • Player #6 - Beth Shorter
  • Player #7 - La Tanya Richardson
  • Player #8 - Reyno
  • Players #9 - Mary Alice
 

A DAUGHTER’S GEOGRAPHY (1981)

A solo show using spoken word poetry. The play focuses on motherhood and her two children. 

Cast Requirement: 1 (1f)

Characters: Speaker

Publication: A Daughter’s Geography. St. Martin’s Press, 1983. (Link)

 

FROM OKRA TO GREENS: A DIFFERENT KINDA LOVE STORY (1985)

Tensions between three couples, each of which represents Okra (a woman) and Greens (a man), result in palpable heat, in the form of lingual duets and luscious monologues. The pair revel in the hues and textures of nature, rebuke the injustices of politics, mourn losses, and celebrate love, all the while proving that language is tactile. This different kinda love story unfolds as an inventive “choreopoem,” which presents drama in powerful verse and fluid choreography. Spirited tribal dance opens the performance, grounding us in the African roots that energize the play. (Source)

Cast Requirement: 7 (1f, 1m, 5any) 

Characters: Okra, Greens, Five Dancers

PublicationFrom Okra to Greens: A Different Kinda Love Story. Samuel French, 1985. (Link)

+ more info

From Okra to Greens was originally performed under the title Mouths at The Kitchen in New York City in 1981. The production was directed by Thulani Davis; choreography was by Diane McIntyre; set design was by Ntozake Shange; costume design was by Marion ViCaires. The cast for this production included:

Ntozake Shange, Richard Lawson, Halifu Osimare, Ed Monk, and Elvia Marta

 

THREE VIEWS OF MT. FUJI (1987) 

A solo show using spoken word poetry about a speaker and her poet sister. 

Cast Requirement: 1 (1f)

Characters: Speaker

Publication: Three Views of Mt. Fuji. Alexander Street Press, 2005. (Link)*

+ more info

Three Views of Mt. Fuji was first produced at the Lorraine Hansberry Theatre in San Francisco in 1987.

 

DADDY SAYS (1989) 

Annie Sharon and Lucie-Marie, daughters of two African-American rodeo stars, have been raised by their loving but remote father, Tie-Down, since their mother, Twanda, was killed by an out-of-control horse. The girls feel their mother's absence terribly, especially now that they are beginning to get older, but Tie-Down misses her too much to talk about her. Now Tie-Down has started dating Cassie, and the girls resent her intrusion into their lives. But after a close call at the rodeo, it is Cassie who finally brings this family together. (Source)

Cast Requirement: 4 (3f, 1m)

Characters: Lucie-Marie, Annie Sharon, Tie-Down Brown, Cassie

Publication: Daddy Says. Simon & Schuster Books for Young Readers, 2023. (Link)*

+ MORE INFO

The play was adapted into a novel of the same name in 2003.

 

UNPUBLISHED

WHERE THE MISSISSIPPI MEETS THE AMAZON (1977) 

A collaboration with Jessica Hagedorn and Thulani Nkabinde. Where the Mississippi Meets the Amazon was orchestrated in the fashion of a musical composition. The three collaborators, called the Satin Sisters, performed their own poetry, danced and sang alone or in ensemble, while a band, Teddy and His Sizzling Romancers, played jazz. (Source

Cast Requirement: 3 (3f)

Characters: The Satin Sisters

Publication: “Ntozake Shange Papers, 1966-2017.” Archival Material. (Link)

 

BERTOLT BRECHT’S MOTHER COURAGE AND HER CHILDREN (1980) 

An adaptation of Bertolt Brecht’s Mother Courage and Her Children. Shange’s version sets the play in post-Civil War America, with Mother Courage as an emancipated slave. 

Cast Requirement: 18+ (5f, 13m)

Characters: Old Cowhand, Farmers, Soldiers, Kinsmen, Cook, General, Rancher, Young Cowhand, Mestizo Woman’s Son, Mother Courage, Chaplain, Katie, Sergeant, Kiowa Man, Ordinance Officers, Deputies, Texas Rangers, 1st Klansman, 2nd Klansman, 3rd Klansman,  Old Cowhand, Yvette’s Servant Child, Enoch, Mestizo Woman, Farm Woman, Regimental Clerk, Smoked Cheese, Rebel with Patch, Kiowa Woman, Child, Recruiting Officer, Yvette 

Publication: Ntozake Shange Papers, 1966-2017.” Archival Material. (Link)

+ more info

Ntozake Shange’s adaptation of Mother Courage and Her Children was produced by The Public Theater in New York City in 1980. The production featured music by William Elliott and lyrics by Louisa Rose. The director for this production was Wilford Leach; set design was by Wilford Leach; costume design was by Patricia McGourty; lighting design was by Jennifer Tipton; the production stage manager was Jacqueline Yancey. The cast for this production included:

  • Old Cowhand, Farmer, Soldier, Kinsman - Thomas Martell Brimm
  • Cook - Robert Christian
  • General, Rancher, 2nd Klansman - C. David Colson
  • Young Cowhand, Mestizo Woman’s Son, Soldier, Kinsman - Jose Luis Espinosa
  • Mother Courage - Gloria Foster
  • Chaplain - Morgan Freeman
  • Katie - Ruthanna Graves
  • Sergeant, Kiowa Man, Soldier, Kinsman, Ordinance Officer, Deputy, Texas Ranger, 1st Klansman, Old Cowhand, Farmer - Samuel L. Jackson
  • Yvette’s Servant Child, Soldier, Kinsman - Jerriese Daniel Johnson
  • Enoch - Jack Landron
  • Mestizo Woman, Farm Woman - Carol-Jean Lewis
  • Ordinance Officer, Deputy, Texas Ranger, 1st Klansman, Soldier, Kinsman - Jerry Mayer
  • Regimental Clerk, Soldier, Kinsman - Peter Oliver-Norman
  • Smoked Cheese, Soldier, Kinsman - Reyno
  • Rebel with Patch, Texas Ranger, 3rd Klansman, Soldier, Kinsman - Raynor Scheine
  • Kiowa Woman, Child - Anna Deveare Smith
  • Recruiting Officer, Soldier, Kinsman - Ellis E. Williams
  • Yvette - Hattie Winston
 

BETSEY BROWN (THE MUSICAL) (1981) 

A musical adaptation of her novel of the same name. Set in St. Louis in 1957, the year of the Little Rock Nine, Shange's story reveals the prismatic effect of racism on an American child and her family. The story illuminates Betsey's adolescence, the rush of first romance, and the sobering responsibilities of approaching adulthood. (Source)

Cast Requirement: 8 (4f, 4m) 

Characters: N/A

Publication: “New York Shakespeare Festival Recordings Collection.” Archival Material. (Link)

 

RESOURCES

other writings by shange

Poetry: 

  • Melissa & Smith (1976)

  • Nappy Edges (1978)

  • Ridin’ the Moon in Texas: World Paintings (1987)

  • The Love Space Demands (a continuing saga) (1987)

  • Some Men (1981)

  • I Live in Music (1994)

  • The Sweet Breath of Life: A Poetic Narrative of the African-American Family (2004)

  • Freedom’s a-Callin Me (2012)

  • Wild Beauty (2017)

Novels and Other Books: 

  • Sassafras (1976)

  • Sassafras, Cypress & Indigo (1982)

  • Betsey Brown (1985)

  • Liliane (1994)

  • Whitewash (1997)

  • Float Like a Butterfly: Muhammad Ali, the Man Who Could Float Like a Butterfly and Sting Like a Bee (2002)

  • Daddy Says (2003)

  • Ellington Was Not A Street (2003)

  • Coretta Scott (2009)

  • Some Sing, Some Cry (2010)

Essays and Non-Fiction: 

  • See No Evil: Prefaces, Essays & Accounts, 1976-1983 (1984)

  • if i can cook / you know god can (1998)

  • Dance We Do: A Poet Explores Black Dance (2020)

SHANGE INTERVIEWS

Barnard Center for Research on Women, “Ntozake Shange on Stage and Screen” (Link)

Barnard Center for Research on Women, “A Conversation with Ntozake Shange and Dianne McIntyre” (Link)

Harriette Cole Media, “Interview with Ntozake Shange” (Link)